"It's hard to pay attention to what your words are actually saying."
Here, in short, is what I want to tell you.
Know what each sentence says,
What it doesn't say; And what it implies.
Of these, the hardest is knowing what each sentence actually says.
At first, it will help to make short sentences; Short enough to feel the variations in length.
Leave space between them for what words imply but don't say.
Pay attention to rhythm, first and last.
It's hard to pay attention to what your words are actually saying. As opposed to what you mean to say or what you think they're saying.
Imagine it this way:
One by one, each sentence takes the stage.
It says the very thing it comes into existence to say.
Then it leaves the stage.
It doesn't help the next one up or the previous one down.
It doesn't wave to its friends in the audience
Or pause to be acknowledged or applauded.
It doesn't talk about what it's saying.
It simply says its piece and leaves the stage.
This isn't the whole art of writing well.
It isn't even most of it.
But it's a place to begin from again and again.
Short sentences aren't hard to make.
The difficulty is forcing yourself to keep them short.
There are infinite ways to write badly.
The usual way is making sentences that don't say what you think they say.
The only link between you and the reader is the sentence you're making.
There's no sign of your intention apart from the sentences themselves.
And every sentence has its own motives, its own commitments; Quite apart from yours.
It adheres to a set of rules—grammar, syntax, the history and customs of the language, a world of echoes and allusions and social cues—that pay no heed to your intentions; If you don't heed those rules.
It's hard to pay attention to what your words are actually saying.
As opposed to what you mean to say or what you think your words are saying.
Knowing what you're trying to say is always important.
But knowing what you've actually said is crucial.
It's easier to tell what you're saying in a short sentence.
You can't revise or discard what you don't consciously recognize.
You've been taught to believe that short sentences are childish,
Merely a first step toward writing longer sentences.
You'd like to think your education has carried you well past short sentences.
But you've been delivered into a wilderness of false assumptions and bad habits,
A desert of jargon and weak constructions, a land of linguistic barbarism,
A place where it's nearly impossible to write with clarity or directness, without cliches or meaningless phrases.
True, you can sound quite grown-up, quite authoritative, in the manner of college professors, journalists, and experts in every field.
(You may be a college professor, a journalist, or an expert in some field.)
How well do they write?
How much do you enjoy reading their words?
You'll make long sentences again, but they'll be short sentences at heart.
Sentences listening for the silence around them.
Listening to their own pulse.